Literature and Animal Studies

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A01=Mario Ortiz-Robles
allegorical animals
Animal Collective
Animal Kingdom
animal representation
Animal rights
Animal Studies
animal tropes in fiction
Animality
Anthropological Machine
Anti-vivisectionist Movement
Antivivisectionist Movement
Author_Mario Ortiz-Robles
Beast People
Big Cats
Black Beauty
Cat Poems
Category=DSB
Category=JBFU
Ecocriticism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
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eq_non-fiction
eq_society-politics
Gregor Samsa
Human Animal Divide
Human Animal Relations
humanities research
interspecies relations
Les Fleurs Du Mal
literary tropes
Literature
London's Tales
London’s Tales
Long Trail
Moreau's Experiments
Moreau’s Experiments
Nightingale's Song
Nightingale’s Song
Noisy Animals
nonhuman agency
Poema De Mio Cid
Stable Boy
White Fang
Winged Horse
Young Man
Zoo Set

Product details

  • ISBN 9780415716017
  • Weight: 380g
  • Dimensions: 138 x 216mm
  • Publication Date: 16 Jun 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Why do animals talk in literature? In this provocative book, Mario Ortiz Robles tracks the presence of animals across an expansive literary archive to argue that literature cannot be understood as a human endeavor apart from its capacity to represent animals. Focusing on the literary representation of familiar animals, including horses, dogs, cats, and songbirds, Ortiz Robles examines the various tropes literature has historically employed to give meaning to our fraught relations with other animals. Beyond allowing us to imagine the lives of non-humans, literature can make a lasting contribution to Animal Studies, an emerging discipline within the humanities, by showing us that there is something fictional about our relation to animals.

Literature and Animal Studies combines a broad mapping of literary animals with detailed readings of key animal texts to offer a new way of organizing literary history that emphasizes genera over genres and a new way of classifying animals that is premised on tropes rather than taxa. The book makes us see animals and our relation to them with fresh eyes and, in doing so, prompts us to review the role of literature in a culture that considers it an endangered art form.

Mario Ortiz Robles is Professor of English at the University of Wisconsin-Madison, USA and the author of The Novel as Event (2010) and co-editor of Narrative Middles: Navigating the Nineteenth-Century British Novel (2011).

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