Literature and Literary Theory in Contemporary China

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A01=Zhang Jiong
Author_Zhang Jiong
Category=DSA
Category=DSBH
China
Chinese Communist Party
Chinese Revolutionary Literature
Classical Marxist Writers
cultural materialism
Deng Xiaoping's Theories
Deng Xiaoping’s Theories
digital literary studies
Diverse Raw Materials
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Great Cultural Revolution
Ideological Superstructure
Jia Pingwa
Li Zicheng
Linguistic Art
literary criticism China
Literary Theoretical Criticism
Literature
Literature and Literary Theory in Contemporary China
Lu Xun
Mao Zedong
Mao Zedong's Talks
Mao Zedong's Thoughts
Mao Zedong’s Talks
Mao Zedong’s Thoughts
Marxism
Marxism Literature Theory
Marxist aesthetics
Marxist Literary Theories
Marxist theory in Chinese literature
Minna Kautsky
Qu Qiubai
revolutionary art theory
Revolutionary Literature
Social Real Life
socialist realism
Socialist Spiritual Civilization
Wen Xin Diao Long
Wholesale Westernization
Wolf Boy
Yangtze River
Zhang Jiong

Product details

  • ISBN 9781138898745
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Marxism initiated a new era not only for people to fight for socialist future, but also for each discipline of sciences to witness profound changes. In such a context, literature, which has always been closely related to politics, will inevitably move toward a new direction.

This book is composed of two parts. Part One studies the development of literary theories in contemporary China from a Marxist perspective. It introduces the basic ideas of Marxist literary theories as well as their spread and development in China, such as the combination of the theories and Chinese revolutionary literature. Moreover, it discusses the challenges facing Marxist literary theories in the 21st century under the background of diversification of literature and art, in terms of theory and practice, and high technologies which brought about electronic writing and digital communication of literary works. The second part elucidates the author’s insights into major issues concerning literary theories (e.g. the relationship between literature and people, literature and reality, perception and rationality in literary creation, etc.) This book will appeal to scholars and students of literary aesthetics and Chinese literary and cultural studies. People who are interested in history of contemporary Chinese literature will also benefit from this book.

Zhang Jiong is the director of the Institute of Literature, Chinese Academy of Social Sciences, and a famous Chinese literary theorist and historian. He has studied Chinese literary theories and history for more than 60 years.

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