Literature and Politics in the Age of Nationalism

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A01=Talat Ahmed
Author_Talat Ahmed
Bigha Zameen
Category=DSBH
Category=JPFN
Common Language
Devanagari
Devanagari Script
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gramsci Trotsky influence
Hindi Sahitya Sammelan
Hindi Writers
Hindustani language debates
Indian People
Indian People's Theatre Association
International writers' movement
IPTA
Ismat Chughtai
Jallianwala Bagh
Kaifi Azmi
leftist literary theory
Literary-political movements
Mass Contact Campaign
Nagari Script
National Language
Nationalist movement
postcolonial literary politics in South Asia
progressive writers movement
PWA Project
Quit India Movement
Quit India Resolution
Rashid Jahan
Round Table
Round Table Conference
Sajjad Zaheer
South Asian cultural history
South Asian literature
South Asian Writers
Upper Town
Urdu Writers
Young Men

Product details

  • ISBN 9780415480642
  • Weight: 570g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Mar 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book aims to provide a historical account of the All-India Progressive Writers’ Association (AIPWA). In a structured narrative, it focuses on the political processes inside India, events and circumstances in South Asia and the debates and literary movements in Europe and the United States to demonstrate how the literary project was specifically informed by literary-political movements. It explores the theorisation of literature and politics that informed progressive writing and argues that the progressive conception of literature, art and politics was closer to the theorisation of two thinkers of whom the writers themselves knew very little – Leon Trotsky and Antonio Gramsci.

The book charts the progressive movement’s extension into the cultural arena through the Indian People’s Theatre Association (IPTA) and the deepening of its nation-wide character through a progressive nationalism instilled with left-wing ideology. One of the important aims of the AIPWA project was to advance the development of a popular vernacular based on the demotic language of north India – Hindustani. The book locates this issue within the broader nationalist discussion on the national language. Contrary to what is implied by much of the previous scholarship, the book argues that the progressive movement did survive the ravages of partition and that the progressives maintained organisations in both India and Pakistan. It looks at the short-lived but very colourful history of the PWA in Pakistan, using PWA documents, government records and personal testimonies.

Arguing that literary output and cultural production cannot be understood, let alone interpreted, outside the context of the nationalist movement, war, independence and partition, the book presents a narrative that necessarily transcends disciplinary boundaries between literature, politics and history. Supplemented with literary and archival sources and oral testimonies from the members of the movement, it provides the readers with a balanced and considered assessment of one of the twentieth century’s most influential and most interesting literary-political movements.

Talat Ahmed teaches at the Department of History, Goldsmiths,University of London, UK and is also a member of the British Association for South Asian Studies and the Royal Asiatic Society, London. Her current research is focused on intellectual and cultural history of modern South Asia and radical literary and cultural projects in twentieth-century South Asia. She has published articles and reviews in a number of academic journals and other publications across the world.

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