Literature and the Islamic Court

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A01=Erez Naaman
abu
Abu L Qasim
Arabic prose genres
artistic
Artistic Prose
Author_Erez Naaman
Caliph Al Mutawakkil
Category=DSBB
Category=GTM
Category=N
Category=NHG
Claude Cahen
courtly
courtly cultural practices
Courtly Habitus
Entertainment Session
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fakhr
Fakhr Al Dawla
field
habitus
Habitus Concept
Intellectual Efflorescence
Invective Poetry
Islamic patronage systems
l-fadl
Li Ne
literary
literary criticism medieval period
Literary Field
medieval Arabic literature
medieval Islamic court literary dynamics
Muslim World
Negative Competition
Panegyric Theme
Patron's Support
Patron’s Support
Persian Arabic literary exchange
prose
rhymed
Rukn Al Dawla
Secretarial Poetry
Temporary Dimming
Ty Pe
Uneven Selections
Vice Versa
Vile Deeds
Vizier Ibn
Young Man

Product details

  • ISBN 9781138945258
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Courts were the most important frameworks for the production, performance, and evaluation of literature in medieval Islamic civilization. Patrons vying for prestige attracted to their courts literary people who sought their financial support. The most successful courts assembled outstanding literary people from across the region.

The court of the vizier and literary person al-Sahib Ibn ʿAbbad (326-385/938-995) in western Iran is one of the most remarkable examples of a medieval Islamic court, with a sophisticated literary activity in Arabic (and, to a lesser extent, in Persian). Literature and the Islamic Court examines the literary activity at the court of al-Sahib and sheds light on its functional logic. It is an inquiry into the nature of a great medieval court, where various genres of poetry and prose were produced, performed, and evaluated regularly. Major aspects examined in the book are the patterns of patronage, selection, and auditioning; the cultural codes and norms governing performance, production, and criticism; the interaction between the patron and courtiers and among the courtiers themselves; competition; genres as productive molds; the hegemonic literary taste; and the courtly habitus. This book reveals the significance these courts held as institutions that were at the heart of literary production in Arabic.

Using primary medieval Arabic sources, this book offers a comprehensive analysis of Islamic courts and as such is of key interest to students and scholars of Arabic literature, Islamic history and medieval studies.

Erez Naaman is Assistant Professor of Arabic at American University in Washington, DC. His research focuses on medieval Arabic literature and culture, and intellectual Islamic history.

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