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A01=Anne Britt Yivisaker
A01=Cecilie Skeide
A01=Charon Kransen
A01=Helen W. Drutt
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ArtMonograph
Author_Anne Britt Yivisaker
Author_Cecilie Skeide
Author_Charon Kransen
Author_Helen W. Drutt
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Category1=Non-Fiction
Category=ACXJ
Category=AFKG
Category=AGA
Category=AGB
COP=Germany
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Jewellery
JewelleryArtists
Language_English
Language_German
NorwegianArtists
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9783897904972
  • Weight: 1010g
  • Dimensions: 170 x 240mm
  • Publication Date: 06 Jul 2017
  • Publisher: Arnoldsche
  • Publication City/Country: DE
  • Product Form: Hardback
  • Language: English, German
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Maple, birch, walnut, lemonwood and palisander are just a few of the woods from which Liv Blåvarp (b. 1956) creates exceptional one-off jewellery pieces. The rigidity or softness of the wood plays just as much of an important role in the selection process as its structure or texture. The works are comprised of numerous single elements, which fuse together to become sculptural volumes tactile creations that come alive when touched. Yet at the same time Blåvarp's expressive and colourful pieces remain flexible and wearable. Their forms are not clearly defined; associations to organic growth, animals and plants, light and shade, water and waves all come to mind. With around 55 works from 2002 to 2017 Liv Blåvarp presents the first comprehensive review of her creative output. Text in English and German.
Cecilie Skeide is a Norwegian art historian working as a curator at Lillehammer Art Museum. She has been responsible for major exhibitions of contemporary and historical art and the decorative arts. Skeide has contributed to several works published by Arnoldsche Art Publishers, such as Sigurd Bronger (ISBN 978-3-89790345-6) and Hanne Borchgrevink (ISBN 978-3-89790-437-8). Anne Britt Ylvisaker works as senior curator at KODE Art Museums of Bergen, where she has chief responsibility for contemporary craft, textiles and ceramics. From 2009 to 2011 she participated in the research group Creating Artistic Value: A Research Project on Rubbish and Readymades, Art and Ceramics.

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