Live Music Business

Regular price €179.80
A01=Andy Reynolds
AEG
artist management strategies
Author_Andy Reynolds
band touring
Booking Agent
Category=AVLP
Category=KNTF
Category=SCG
Category=UYU
Chain Hoists
College Shows
concert management
concert production
Concert Promoters
concert promotion
Concert Tickets
concert touring
Contract Rider
Deal Memo
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_sports-fitness
Festival Appearances
Festival Organisers
Festival Promoters
Glastonbury Festival
live event career planning
live music
live music business
live music industry
Live Music Production
live music touring
Live Nation Entertainment
Live Performance
music business
music entrepreneurship
music event logistics
music industry
PA System
Performance Fee
performance revenue streams
popular music
Production Venues
Prs
rock music concerts
show contract negotiation
Solo Artists
Superstar Artists
talent buyer practices
the tour book
Ticket Price
tour budgeting techniques
Tour Support

Product details

  • ISBN 9780367894917
  • Weight: 453g
  • Dimensions: 178 x 254mm
  • Publication Date: 30 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been extensively revised, reorganized, and updated to reflect today’s music industry.

This practical guidebook examines the roles of the key players – from booking agents to concert promoters, artist managers to talent buyers – and the deals, conventions, and processes that drive this global business. Written by a touring professional with over 25 years of experience, this book elucidates why playing live is crucial to the success of any musician, band, or artist, explaining issues like:

  • what managers, promoters, and agents do and how they arrange shows and tours;
  • how to understand and negotiate show contracts;
  • how to create a contract rider, and how the rider affects the money you earn from a show;
  • how to appear professional and knowledgeable in an industry with its own conventions, language, and baffling technical terms; and
  • a three-year plan using live performance to kickstart your music career

Intended for music artists and students, The Live Music Business presents proven live-music career strategies, covering every aspect of putting on a live show, from rehearsing and soundchecks to promotions, marketing, and contracts. In an era when performing live is more essential than ever, this is the go-to guidebook for getting your show on the road and making a living from music.

Andy Reynolds is a concert tour manager and audio engineer with more than 25 years of professional touring experience. He has worked for artists such as Maribou State, George FitzGerald, Maverick Sabre, The All-American Rejects, House of Pain, Super Furry Animals, Machine Head, and Pavement and has also worked supporting U2, Whitney Houston, and Foo Fighters. He also teaches live sound engineering and concert tour management at colleges and universities in the UK.