Livecasting in Twenty-First-Century British Theatre

Regular price €36.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A Midsummer Night's Dream
A Midsummer Night’s Dream
A01=Heidi Lucja Liedke
Age Group_Uncategorized
Age Group_Uncategorized
Andrea Levy
Antony and Cleopatra
Author_Heidi Lucja Liedke
automatic-update
Category1=Non-Fiction
Category=AN
Category=APF
Category=ATD
Category=ATF
COP=United Kingdom
coronavirus and theatre
coronavirus theatre
covid-19 pandemic
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
live theatre
livestreaming
lockdown theatre
Midsummer Night's Dream
Midsummer Night’s Dream
National Theatre
National Theatre Live
NT Live
PA=Not yet available
pandemic theatre
Price_€20 to €50
PS=Forthcoming
Ross MacGibbon
Small Island
softlaunch
theatre streaming
William Shakespeare

Product details

  • ISBN 9781350341005
  • Weight: 300g
  • Dimensions: 138 x 214mm
  • Publication Date: 23 Jan 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.

Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.

As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.

Heidi Lucja Liedke is Interim Professor in English Literature at Goethe University Frankfurt, Germany. From 2018-2020 she was a Humboldt Postdoctoral Fellow at Queen Mary, University of London, UK. She is the co-editor of a special issue of Theatre Research International on “Presence, Politics, Resistance: Tendencies in (Post-)Pandemic Performance and Theatre” (March 2023). Her work has been published in Performance Matters (2019), Journal of Contemporary Drama in English (2021) and Participations (2021). Twitter: @heidilulie

More from this author