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17thcentury
A01=Artemisia Gentilesch
A01=Artemisia Gentileschi
A01=Cristofano Bronzini
A01=Filippo Baldinucci
A01=Orazio Gentileschi
A01=Theodore Turquet de Mayerne
A24=Sheila Barker
Age Group_Uncategorized
Age Group_Uncategorized
Art
Author_Artemisia Gentilesch
Author_Artemisia Gentileschi
Author_Cristofano Bronzini
Author_Filippo Baldinucci
Author_Orazio Gentileschi
Author_Theodore Turquet de Mayerne
Autobiographies
automatic-update
Baroque
Biographies
Category1=Non-Fiction
Category=AFC
Category=AGA
Category=AGB
Category=BGF
Category=DNBF
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Italian
Language_English
Naturalism
PA=Available
Painters
Pioneer
Price_€10 to €20
PS=Active
SN=Lives of the Artists
softlaunch
Womenartists
Womenpainters

Product details

  • ISBN 9781843681960
  • Weight: 202g
  • Dimensions: 114 x 145mm
  • Publication Date: 01 Apr 2021
  • Publisher: Pallas Athene Publishers
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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Lives of Artemisia Gentileschi presents a fascinating look at the famous Baroque artist. Artemisia Gentileschi (1593–1653) was an Italian painter known for the naturalism with which she depicted the female body and her use of rich colours and chiaroscuro. Born in Rome, she was trained by her father, the painter Orazio Gentileschi, and was working professionally by the time she was a teenager. In a period when women artists very rarely achieved success in their field, she was commissioned by royalty across Europe and was the first woman to become a member of Florence’s prestigious Accademia delle Arti del Disegno, later becoming an educator in the arts. Lending further insight into the extraordinary life of this trailblazing artist, this volume presents an absorbing collection of letters, biographies, and court testimonies supplemented with essays written by contemporaries, several of which are published here in English for the first time. The vivid illustrations include three works that have only recently been attributed to Gentileschi. An introduction by Sheila Barker, founding director of the Jane Fortune Research Program on Women Artists, contextualises these texts and discusses Gentileschi’s legacy.