Living Death in Early Modern Drama

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=James Alsop
Author_James Alsop
body
Category=AFKP
Category=ATD
Category=DSG
Category=JHBZ
cultural anxieties performance
death
death representation
early modern drama
early modern theatre
English Renaissance drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ghostly apparitions
life
metatheatre analysis
performance
soul
stage
staging living dead bodies

Product details

  • ISBN 9781032071688
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jul 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book explores historical, socio-political, and metatheatrical readings of a whole host of dying bodies and risen corpses, each part of a long tradition of living death on stage.

Just as zombies, ghouls, and the undead in modern media often stand in for present-day concerns, early modern writers frequently imagined living death in complex ways that allowed them to address contemporary anxieties. These include fresh bleeding bodies (and body parts), ghostly Lord Mayors, and dying characters who must carefully choose their last words – or have those words chosen for them by the living. As well as offering fresh interpretations of well-known plays such as Middleton’s The Lady’s Tragedy and Webster’s The White Devil, this innovative study also sheds light on less well-known works such as the anonymous The Tragedy of Locrine, Marston’s Antonio’s Revenge, and Munday’s mayoral pageants Chruso-thriambos and Chrysanaleia. The author demonstrates that wherever characters in early modern drama appear to straddle the line between this world and the next, it is rarely a simple matter of life and death.

This book will be of great interest to students, scholars, and practitioners in theatre and performance studies, and cultural and social studies.

James Alsop is an independent researcher and educator based in Exeter, Devon.

More from this author