Living with the Royal Academy

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academic art institutions
Ann Bermingham
Arcadia Ego
art exhibition culture
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B01=Dr. Sarah Monks
B01=John Barrell
B01=Professor Mark Hallett
B09=Dr Jason Edwards
B09=Dr. Sarah Monks
B09=Dr. Sarah Victoria Turner
B09=Professor David Peters Corbett
British art history
British Royal Academy artist relationships
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Cleft Habitus
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De La Cour
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Derby Museums
eighteenth-century painting
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Fire Works
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George III
Gibson's Work
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Iain Mccalman
IMPN=Ashgate Publishing Limited
ISBN13=9781409403180
Jason Edwards
Johan Zoffany
John Barrell
John Bonehill
Language_English
Mark Hallett
Martin Myrone
Moonlight Action
neoclassical aesthetics
Officer's Public Address
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Revealed Religion
Reynolds's Painting
Reynolds's Portrait
Reynolds’s Painting
Reynolds’s Portrait
Rosie Dias
Royal Academy
Sarah Monks
Sir William Beechey
Sterne's Captive
Sterne’s Captive
Subject=History Of Art/art & Design Styles
Subject=The Arts: General Issues
Thin Paint Layers
Thomas Banks
Tinted Venus
Venetian Secret
Willem Van De Velde
William Etty
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Young Man

Product details

  • ISBN 9781409403180
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art’s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ’liberated’ in the wake of the Pre-Raphaelite Brotherhood’s emergence in 1848 - this volume investigates the Academy’s varied impact upon the lives, experiences and ideals of its diverse artistic communities.

Sarah Monks is Lecturer in Art History at the University of East Anglia, UK.

John Barrell is Professor of English at Queen Mary University of London, UK.

Mark Hallett is Director of Studies at the Paul Mellon Centre for Studies in British Art, London, UK.