Local/Global

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art patronage research
artists
Black Female Subjects
Category=AGA
Category=JBSF1
cixi
Court Painters
cross-cultural artistic exchange
dowager
empress
Empress Dowager
Empress Dowager Cixi
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist art history
global perspectives on women artists
Harem Women
Irish Women Artists
Late Nineteenth Century Mexico
Marianne North
National Library
nazli
nineteenth
Nineteenth Century Women Artists
nineteenth-century design
NSW Court
Oil On Canvas
Ottoman Women
painter
postcolonial art studies
princess
Princess Nazli
Red River Expedition
Rosa Bonheur
Royal Academy
Royal Hibernian Academy
Tea Caddy
Van Den Abbeele
Van Diemen's Land
Van Diemen’s Land
woman
women
Women Artists
women in architecture
Women Painters
Xianfeng Emperor
Young Men

Product details

  • ISBN 9780754631972
  • Weight: 725g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Feb 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; Síghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo on North American textiles; Kristina Huneault on white settler identity in Canada; Charmaine Nelson on neo-classical sculpture in North America; and Stacie Widdifield on Mexico. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.

Deborah Cherry is Professor of the History of Art at the University of the Arts, London, UK and Editor of Art History. Janice Helland is Professor of Art History and Women’s Studies, and Queen's National Scholar at Queen's University, Canada.