Local Music Scenes and Globalization

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A01=Thomas Burkhalter
alternative music cultures
Arab world soundscapes
Arabic Music
AUB
Author_Thomas Burkhalter
Bachir Gemayel
Beirut
Belly Dance
Bossa Nova
Category=AVL
Category=AVLP
Category=GTM
Category=JB
Category=JBCC
cultural hybridity
digital music networks
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
European Cultural Foundation
experimental music scenes research
Globalization
Horror Movie
Institutional Hubs
King Size
LAU
Lebanese Civil War
Lebanese Musician
Lebanon
Luna Park
Mansour Rahbani
Mazen Kerbaj
Middle East
Music
Oud Player
Pop Stars
postcolonial music studies
Propaganda Music
Raed Yassin
Rahbani Brothers
Research
Scrambled Eggs
Sharjah Art Foundation
UK Magazine
UN
Ziad Rahbani

Product details

  • ISBN 9781138849716
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers the first in-depth study of experimental and popular music scenes in Beirut, looking at musicians working towards a new understanding of musical creativity and music culture in a country that is dominated by mass-mediated pop music, and propaganda. Burkhalter studies the generation of musicians born at the beginning of the Civil War in the Lebanese capital, an urban and cosmopolitan center with a long tradition of cultural activities and exchanges with the Arab world, Europe, the US, and the former Soviet Union. These Lebanese rappers, rockers, death-metal, jazz, and electro-acoustic musicians and free improvisers choose local and transnational forms to express their connection to the broader musical, cultural, social, and political environment. Burkhalter explores how these musicians organize their own small concerts for ‘insider’ audiences, set up music labels, and network with like-minded musicians in Europe, the US, and the Arab world. Several key tracks are analyzed with methods from ethnomusicology, and popular music studies, and contextualized through interviews with the musicians. Discussing key references from belly dance culture (1960s), psychedelic rock in Beirut (1970s), the noises of the Lebanese Civil war (1975-1990), and transnational Pop-Avant-Gardes and World Music 2.0 networks, this book contributes to the study of localization and globalization processes in music in an increasingly digitalized and transnational world. At the core, this music from Beirut challenges "ethnocentric" perceptions of "locality" in music. It attacks both "Orientalist" readings of the Arab world, the Middle East, and Lebanon, and the focus on musical "difference" in Euro-American music and culture markets. On theoretical grounds, this music is a small, but passionate attempt to re-shape the world into a place where "modernity" is not "euro-modernity" or "euro-american modernity," but where possible new configurations of modernity exist next to each other.

Thomas Burkhalter is an ethnomusicologist, music journalist, and cultural producer from Bern, Switzerland.

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