Local Scenes and Global Culture of Psytrance

Regular price €179.80
A01=Graham St John
Author_Graham St John
Category=AVL
Category=JHMC
countercultural movements
cultures
dance
Dance Fl Oor
Dancefl Oor
DAT
EBM
EDM
EDM Culture
EDM Genre
EDM Scene
EDM Style
electronic
Electronic Dance Music
electronic music studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
festival
floor
gil
Global Nomads
globalization theory
goa
Goa Trance
interdisciplinary psytrance culture research
Israeli Backpackers
Liminal Culture
music
neotribalism networks
Nonsensical Logic
oor
Psy Trance
psychedelic
Psytrance
Psytrance Festival
Psytrance Scene
ritual and spirituality analysis
St John 2001b
St John 2009a
Tip
Trance Scene
UK Scene
Verbal Demence
youth subcultures research

Product details

  • ISBN 9780415876964
  • Weight: 660g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Jun 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This lively textual symposium offers a collection of formative research on the culture of global psytrance (psychedelic trance). As the first book to address the diverse transnationalism of this contemporary electronic dance music phenomenon, the collection hosts interdisciplinary research addressing psytrance as a product of intersecting local and global trajectories. Contributing to theories of globalization, postmodernism, counterculture, youth subcultures, neotribes, the carnivalesque, music scenes and technologies, dance ritual and spirituality, chapters introduce psytrance in Goa, the UK, Israel, Japan, the US, Italy, Czech Republic, Portugal and Australia. As a global occurrence indebted to 1960s psychedelia, sharing music production technologies and DJ techniques with electronic dance music scenes, and harnessing the communication capabilities of the Internet, psytrance and its cultural implications are thoroughly discussed in this first scholarly volume of its kind.

Graham St John is a Research Associate at the University of Queensland’s Centre for Critical and Cultural Studies, and was recently a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, Saskatchewan, and an SSRC Residential Fellow at the School for Advanced Research, Santa Fe, New Mexico. His recent book Technomad: Global Raving Countercultures was published by Equinox in 2009. His edited collections include Victor Turner and Contemporary Cultural Performance (Berghahn 2008), Rave Culture and Religion (Routledge, 2004), and FreeNRG: Notes From the Edge of the Dance Floor (Common Ground, 2001). He is the Executive Editor of Dancecult: Journal of Electronic Dance Music Culture. (www.dj.dancecult.net).