Product details
- ISBN 9780099587361
- Weight: 186g
- Dimensions: 130 x 197mm
- Publication Date: 14 Nov 2013
- Publisher: Vintage Publishing
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Many of the Londoners in this novel are outcasts - some are criminals in society’s eyes. Most are descended from adventurers and immigrants. The worlds they inhabit - the bedsit; the cruisers’ pub - lie cheek by jowl with the worlds of the affluent and successful - the smart restaurant, the House of Commons Committee room.
Al, the narrator, is a Londoner born and bred, a writer living in a small room in West London. Most of the other residents in the cavernous Victorian house - and the friends and acquaintances Al meets in tow local pubs, the bohemian and relaxed crowd at the Nevern and the slightly more ambiguous and dangerous crowd at the Knacker’s - are Londoners by adoption, some temporary exiles, some permanent.
Maureen Duffy is a British poet, playwright and novelist. After a tough childhood, Duffy took her degree in English from King’s College London. She was a schoolteacher from 1956 to 1961, and then turned to writing full-time as a poet and playwright.
Her London trilogy comprises, firstly, Wounds, set in South London during the early period of Afro-Caribbean immigration; secondly, Capital tells the history of London from Neolithic times through tales of Saxon kings, anonymous invaders, the flea that spread the Black Death and the transsexual King Elizabeth; and finally Londoners follows Dante's Inferno, canto by canto, through modern gay London.
Duffy is the author of 33 published works, including seven collections of poetry, non-fiction and 16 plays for stage, screen and radio; she is a fellow of the Royal Society of Literature and of King’s College London, a Vice President of the Royal Society of Literature, and holds honorary DLitts from the universities of Loughborough and Kent.
A new collection, Environmental Studies, was published by Enitharmon in April 2013 and was longlisted for the Green Carnation Prize 2013.
