A01=Horace Cayton
African American autobiography
African American lived experience narrative
American Negroes
Author_Horace Cayton
black
Black Belt
Black cultural resilience
Black Metropolis
Cargo Hook
Category=JB
Category=JHB
Croix De Feu
De La Paix
Defense Industries Employment
Drew Back
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Fisk University
Fort Des Moines
Girl Friend
Glory Hole
High School Work
Hospital Boy
metropolis
Negro Hotel
Negro Restaurant
Oregon State Penitentiary
Pittsburgh Courier
Place De La Concorde
Police Precinct Stations
racial identity formation
Seventh Day Adventist School
Silver Dollars
social stratification analysis
twentieth century racism
Uncle Tomming
urban sociology research
White Liberal Friends
Younger Man
Product details
- ISBN 9781412811217
- Weight: 589g
- Dimensions: 152 x 229mm
- Publication Date: 15 Aug 2010
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Paperback
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From the time that he ran away to sea at sixteen, until he graduated from the University of Washington, Horace R. Cayton was a messman on a freighter, an unknowing handyman in an Alaskan brothel, a juvenile delinquent and inmate of a reform school, a dock worker and steward on a passenger liner, and a deputy in the sheriff's office of King County, Washington.Born in Seattle, a city then uniquely free from racial tensions and prejudices, Cayton found the privileged, secure, middle-class position of his well-to-do parents ineffectual against the gradual spread of racism that was sweeping America. His disarmingly honest autobiography is the ever-absorbing record of an intelligent, sensitive, and proud man's attempts to find identity in a confusing and conflicting chaos of black and white, in a nation that, although dedicated to equality, somehow managed to deny this ideal by almost every action.Although his turbulent life was complicated by the color barrier - often resulting in reverses and frustrations that have rendered him close to a breakdown - this alone is not what makes Cayton's book such captivating reading. Wholly lacking in self-pity or special pleading, Horace Cayton has written a personal narrative of unfailing interest on any number of scores, a book that ranks with the best of American autobiographical writing. For it manages to remain highly critical without once resorting to bitterness; to be filled with hope, though not always hopeful; and brims with compassion and bemused and acute insights into a troubled society. It is a telling, almost poetic tribute to the resiliency of black culture.
