Look Back in Gender (Routledge Revivals)

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A01=Michelene Wandor
anger
ann
Ann Jellicoe
Author_Michelene Wandor
Brecht's Play
Brecht’s Play
british
British theatre history
Category=AB
Category=ATD
Category=DSB
Category=DSBH
Category=DSG
Category=JBSF
Category=JBSF11
censorship in drama
Clan Land Ownership
Contemporary Society
Countess
dance
drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist theatre studies
Freeing Women
gender role analysis
Good Catholic Girls
Head Of The Family
Held
Jimmy Porter
Look Back In Anger
masculinity in literature
Minority Sex
musgraves
Persona
post-war
Post-War British Drama
postwar social change
serjeant
Serjeant Musgrave's Dance
Serjeant Musgrave’s Dance
sexuality and family in British plays
Smooth
Top Girls
trilogy
Trousers
Violated
Wear Bowler Hats
wesker
Wesker Trilogy
Wo
Young Man

Product details

  • ISBN 9781138812987
  • Weight: 360g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this challenging book, first published in 1987, Michelene Wandor looks at the best-known plays in the thirty years prior to publication; from Look Back in Anger onwards. Wandor investigates the representation of the family and different forms of sexuality in these plays and re-reviews them from a perspective that throws into sharp relief the function of gender as an important determinant of plot, setting and the portrayal of character. Juxtaposing the period before 1968, when statutory censorship was still in force, with the years following its abolition, Wandor scrutinises the key plays of, among others, Osborne, Pinter, Wesker, Arden, and Delaney. Each one is analysed in terms of its social context: the influence of World War II, the testing of gender roles, the development of the Welfare State and changes in family patterns, and the impact of feminist, Left-wing and gay politics. Throughout the period, two generations of playwrights and theatregoers transformed the theatre into a forum in which they could articulate and explore the interaction of their interpersonal relationships with the wider political sphere. These changes are explored in this title, which will allow readers to re-evaluate their view of post-war British drama.

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