Lord Jim

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A01=John Batchelor
Almayer's Folly
Almayer’s Folly
Author_John Batchelor
Ballantyne's Coral Island
Ballantyne’s Coral Island
biographical criticism
Burrowing Effort
Category=DSBH
Category=DSK
Coleridge's Lyrical Ballads
Coleridge’s Lyrical Ballads
commentary
Conrad's Reputation
Conrad’s Reputation
Dain Waris
dramatization
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
first 'modern' novel
friendship in literature
German Skipper
Happy Nations
human condition
Ian Watt
impressionism
Jacques Berthoud
Jim's Actions
Jim's Death
Jim's Father
Jim's Problem
Jim's State
Jim's Story
Jim’s Actions
Jim’s Death
Jim’s Father
Jim’s Problem
Jim’s State
Jim’s Story
Joseph Conrad
literary impressionism
literature
loneliness of man
Lost Honour
Marlow Remarks
modern fiction
modern novel historical context
modernist literature
narrative technique analysis
novel
Privileged Man
Red Badge
Secret Sharer
Stein Chapter
twentieth-century fiction studies
Typhoon Volume
Virginia Woolf's Essay
Virginia Woolf’s Essay
Young Man

Product details

  • ISBN 9780367321086
  • Weight: 630g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Published in 1900, Conrad’s Lord Jim can in many ways be seen as the first ‘modern’ novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad’s masterpiece.

John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad’s writing. It also considers the novel’s technical innovations, including Conrad’s ‘impressionism’ and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel’s critical reception since its first publication.

This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad’s place in the development of modern fiction.

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