Loss in French Romantic Art, Literature, and Politics

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A01=Jonathan P. Ribner
Adam Mickiewicz
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Age Group_Uncategorized
ancien regime
Antoine-Jean Gros
art history
Author_Jonathan P. Ribner
automatic-update
Camille Corot
Category1=Non-Fiction
Category=ACV
Category=AGA
Category=DS
Category=HBJD
Category=HBLL
Category=JP
Category=JPWQ
Category=NHD
Catholic Revival
Catholicism
Charles III
COP=United Kingdom
De Clichy
Delivery_Pre-order
Du Louvre
empire
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eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eugene Delacroix
exile
exile and displacement
France
French Revolution
French Romanticism cultural trauma
Germaine de Stael
Gogh
government
Harvard Art Museums
Hippolyte Flandrin
Jean Baptiste Greuze
La Chaux De Fonds
Language_English
Las Cases
literature
Mal Du
monarchy
Napoleon III
Napoleonic Legend
national identity crisis
nineteenth century
nineteenth-century France
novels
Oil On Canvas
PA=Temporarily unavailable
painting
Paul Gauguin
Pius VII
poetry
political upheaval art
Port Royal Des Champs
Price_€100 and above
Prix De Rome
PS=Active
religion
religious iconography analysis
RMN Grand Palais
Russian Campaign
secularization
Sir George Beaumont
softlaunch
Theodore Chasseriau
trauma
Trojan Women
Venus Anadyomene
Victor Hugo
Vincent Van Gogh
violence
visual culture studies
world power
Young Man

Product details

  • ISBN 9781032027036
  • Weight: 657g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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An interdisciplinary examination of nineteenth-century French art pertaining to religion, exile, and the nation’s demise as a world power, this study concerns the consequences for visual culture of a series of national crises—from the assault on Catholicism and the flight of émigrés during the Revolution of 1789, to the collapse of the Empire and the dashing of hope raised by the Revolution of 1830.

The central claim is that imaginative response to these politically charged experiences of loss constitutes a major shaping force in French Romantic art, and that pursuit of this theme in light of parallel developments in literature and political debate reveals a pattern of disenchantment transmuted into cultural capital. Focusing on imagery that spoke to loss through visual and verbal idioms particular to France in the aftermath of the Revolution and Empire, the book illuminates canonical works by major figures such as Eugène Delacroix, Théodore Chassériau, and Camille Corot, as well as long-forgotten images freighted with significance for nineteenth-century viewers. A study in national bereavement—an urgent theme in the present moment—the book provides a new lens through which to view the coincidence of imagination and strife at the heart of French Romanticism.

The book will be of interest to scholars working in art history, French literature, French history, French politics, and religious studies.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Jonathan P. Ribner is Associate Professor in the Department of History of Art & Architecture at Boston University.

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