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Louis Carlos Bernal: Monografa
1970s
A01=Elizabeth Ferrer
A11=Duncan Whyte
A13=Louis Carlos Bernal
A14=Rebecca Senf
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Author_Elizabeth Ferrer
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Category1=Non-Fiction
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Civil Rights Movement
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COP=United States
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Language_English
Latinx
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monograph
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portraits
Price_€20 to €50
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street photography
Product details
- ISBN 9781597115575
- Weight: 1133g
- Dimensions: 215 x 270mm
- Publication Date: 13 Jun 2024
- Publisher: Aperture
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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A landmark survey of one of the most significant American photographers of the twentieth century
Best known for his intimate portrayals of barrio communities of the Southwest United States, Louis Carlos Bernal made photographs in the late 1970s and 1980s that draw upon the resonance of Catholicism, Indigenous beliefs, and popular practices tied to the land. For Bernal, photography was a potent tool in affirming the value of individuals and communities who lacked visibility and agency. Working in both black and white and in color, he photographed the interiors of homes and their inhabitants, often presenting his subjects surrounded by the objects they lived with—framed portraits of family members, religious pictures and statuaries, small shrines festooned with flowers, and elements of contemporary popular culture. Bernal viewed these spaces as rich with personal, cultural, and spiritual meaning, and his unforgettable photographs express a vision of la vida cotidiana—everyday life—as a state of grace. The first major scholarly account of Bernal’s life and work by the esteemed historian Elizabeth Ferrer, Louis Carlos Bernal: Monografía is the definitive book about an essential photographic artist.
Copublished by Aperture and the Center for Creative Photography, Tucson
Best known for his intimate portrayals of barrio communities of the Southwest United States, Louis Carlos Bernal made photographs in the late 1970s and 1980s that draw upon the resonance of Catholicism, Indigenous beliefs, and popular practices tied to the land. For Bernal, photography was a potent tool in affirming the value of individuals and communities who lacked visibility and agency. Working in both black and white and in color, he photographed the interiors of homes and their inhabitants, often presenting his subjects surrounded by the objects they lived with—framed portraits of family members, religious pictures and statuaries, small shrines festooned with flowers, and elements of contemporary popular culture. Bernal viewed these spaces as rich with personal, cultural, and spiritual meaning, and his unforgettable photographs express a vision of la vida cotidiana—everyday life—as a state of grace. The first major scholarly account of Bernal’s life and work by the esteemed historian Elizabeth Ferrer, Louis Carlos Bernal: Monografía is the definitive book about an essential photographic artist.
Copublished by Aperture and the Center for Creative Photography, Tucson
Elizabeth Ferrer is a writer, curator, and arts activist. She is the former vice president of contemporary art at BRIC in Brooklyn. Ferrer is the author of Latinx Photography in the United States: A Visual History (2021) and curator of the traveling exhibition of Bernal’s work from the Center for Creative Photography, Tucson, set to open in fall 2023.
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