Louise Jopling

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A01=Patricia de Montfort
Annie Swynnerton
art education reform
Artist's Model
Artist’s Model
Author_Patricia de Montfort
Bond Street Gallery
Britain
Category=AFC
Category=AGA
Category=AGB
Dudley Gallery
education
England
English Woman's Review
English Woman’s Review
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Feather Boa
female artist professional networks
fin de siecle
gender and art
Greville Place
Grosvenor Gallery
Henrietta Ward
Katy Deepwell
literary history
Manchester City Art Gallery
Mark Lemon
Millais's Portrait
Millais’s Portrait
Modern Woman Artist
nineteenth century
Nineteenth Century Woman Artist
nineteenth-century painting
painting
Quatre Bras
Rosa Campbell Praed
Royal Academy
Royal Academy Schools
Shirley Brooks
social activism
social activism in art
Union Des Femmes Peintres
United Kingdom
Victorian art history
Victorian era
Victorian studies
Wild Irish Girl
women artists
women artists Britain
Women's International Art Club
women's suffrage
Women's Tax Resistance League
Women’s International Art Club
Women’s Tax Resistance League
Young Men

Product details

  • ISBN 9781472467393
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Louise Jopling: A Biographical and Cultural Study is the first in-depth study of this nineteenth-century painter who was among the first women admitted to the Royal Society of British Artists (in 1902). In part an engaging biography of a compelling celebrity figure and social campaigner in Victorian England, Patricia de Montfort’s book interweaves a vivid and rounded portrait of this Manchester-born artist, teacher, and author with insightful analysis of Jopling’s artwork and the aristocratic-bohemian social milieu that she inhabited. Painted by Whistler and Millais, Jopling herself portrayed Victorian-era celebrities like the actress Lillie Langtry and her patrons included members of the de Rothschild banking family. Her work also included figure compositions, interiors, landscape and genre scenes. Drawing upon Jopling's unpublished diaries, notebooks and correspondence as well as her 1925 memoir Twenty Years of My Life, de Montfort’s study opens the way for a twenty-first century rediscovery of this now little-known artist, who combined professional artistic practice with social activism, against the backdrop of an often troubled private life. The full scope of Jopling’s artistic endeavours are discussed in relation to the cultural framework for fin de siècle working women, as are her progressive views on education and women’s suffrage.

Patricia de Montfort is Lecturer, History of Art, School of Culture and Creative Arts, University of Glasgow, UK.

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