Love Is Love Is Love

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A01=Aaron C. Thomas
adaptation
America
Angry Inch
Author_Aaron C. Thomas
Black Lives Matter Movement
Broadway
Broadway Musical
California State University Monterey Bay
casting controversies
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Category=ATD
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Color Purple
contemporary theatre
cultural studies
culture
Drag Race
dramaturgical analysis
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Fbi
Frozen
Gay Male Critics
Gay Men
gender
gender studies
Hedwig and the Angry Inch
identity
identity performance
James Corden
Jeanine Tesori
LGBTQ
minority representation
musical theatre
musical theatre lgbtq politics analysis
Musical Theatre Performance
musicals
Newsies
performance
Promises
Queer Audiences
Queer Child
Queer People
Queer studies
queer theory
representation
RuPaul's Drag Race
RuPaul’s Drag Race
sexual politics
sexuality
Snow Queen
Spielberg's Film
Spielberg’s Film
Straight Actors
Stunt Casting
The Color Purple
Tony Awards
Trans People
Transsexual Woman
United States
USA
Young Man

Product details

  • ISBN 9781032329475
  • Weight: 260g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The politics of Broadway musicals matter a great deal more to U.S. American culture than they appear to mean, and they are especially important to mainstream politics surrounding sex, gender, and sexuality. Love Is Love Is Love looks to the Broadway musicals of the past decade for help understanding the current state of LGBTQ politics in the United States.

Through analyses of Promises, Promises, Newsies, Hedwig and the Angry Inch, The Color Purple, and Frozen, this book attempts to move past the question of representational politics and asks us instead to think in more complex ways about LGBTQ identity, what LGBTQ politics are, and the politics of Broadway musicals themselves. Producing new, complex readings of all five of these musicals, author Aaron C. Thomas places each of them within the context of the LGBTQ politics of their day. Some of the issues the book treats are controversies of casting, the closetedness and openness of musical theatre, LGBTQ identities, adaptation from movies into musicals, and the special power of the musical form by examining how these shows differ from the books and movies on which they’re based.

Love Is Love Is Love places contemporary LGBTQ political tensions and conversations in a new light, making this an essential companion for students and scholars of contemporary theatre, musical theatre, cultural studies, Queer studies, and gender studies.

Aaron C. Thomas is an assistant professor in the School of Theatre at Florida State University, USA. He is the author of Sondheim and Wheeler’s Sweeney Todd (Routledge, 2018).

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