Lucas Malet, Dissident Pilgrim

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19th century
20th century
aesthetic movement analysis
Bildungsroman Genre
British
British literary modernism
Category=DSBF
Category=DSK
Chopin
cultural movements
Danse Macabre
De Gand
disability
disability studies
dissident pilgrim
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
era
Fatherless
female authorship in nineteenth century
feminist aestheticism
fin de siA?cle studies
fin-de-siecle
fin-de-siecle culture
fin-de-siecle women's writing
Follow
Gateless Barrier
gender and sexuality theory
Hero's Journey
Hero’s Journey
history
history of literature
Kindred
La Belle
life
literature
Lucas Malet
Malet's authorial experience
Marriage Plot
Mary St. Leger Harrison
Matrimony
Montagu
Narrative Prosthesis
New Woman
nineteenth century
Part III
Paternal Inheritance
Personal Development
psychology
religion
Richard's Body
Richard’s Body
sexuality
Sir Denzil
Superb
Traditional Bildungsroman
twentieth century
Uncreated Light
Victorian
Victorian era
Victorian women's literature
Wo
women's writing
women’s writing
writing
Yellow Drawing Room
Young Man

Product details

  • ISBN 9780367661939
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Popular novelist, female aesthete, Victorian radical and proto-modernist, Lucas Malet (Mary St. Leger Harrison, 1852-1931) was one of the most successful writers of her day, yet few of her remarkable novels remain in print. Malet was a daughter of the ‘broad church’ priest and well-known Victorian author Charles Kingsley; her sister Rose, uncle, Henry Kingsley and her cousin Mary Henrietta Kingsley were also published authors. Malet was part of a creative dynasty from which she drew inspiration but against which she rebelled both in her personal life and her published work. This collection brings together for the first time a selection of scholarly essays on Malet’s life and writing, foregrounding her contributions to nineteenth- and twentieth-century discourses surrounding disability, psychology, religion, sexuality, the New Woman, and decadent, aesthetic and modernist cultural movements. The essays contained in this volume explore Malet’s authorial experience—from both within the mainstream of the British literary tradition and, curiously, from outside it—supplementing and nuancing current debates about fin-de-siècle women’s writing. The collection asks the question ‘who was Lucas Malet?’ and ‘how—despite its popularity—did her courageous, unique and fascinating writing disappear from view for so long?’

Jane Ford is a Lecturer in English Studies at Teesside University. She is a specialist in the literature and culture of the fin de siècle and she is currently completing a monograph which examines the complex network of metaphors that emerged around late-nineteenth-century conceptions of economic self-interest and exploitation. She is co-editor of Economies of Desire at the Victorian Fin de Siècle: Libidinal Lives (Routledge, 2016) and has published essays on Vernon Lee, Lucas Malet and Bertram Mitford.

Alexandra Gray is a Visiting Lecturer in English Literature at the University of Portsmouth. Alexandra’s research interests include the New Woman, fin-de-siècle literature and culture, art history and criticism and medical and psychiatric history. She has recently published her first monograph, Self-Harm in New Woman Writing (Edinburgh University Press, 2017), and has also written on the work of Irish New Woman, George Egerton, hyperhidrosis in fiction, and the orphan figure in Victorian literature and culture. She is a co-editor of ‘The Gateless Barrier,’ an online impact project for the purposes of feminist literary recovery, featuring research on Lucas Malet’s life and work.