A01=Catherine Lampert
A01=Toby Treves
analysis
art
art criticism
art history
Author_Catherine Lampert
Author_Toby Treves
Category=AB
Category=AFCL
Category=AG
Category=AGA
Category=AGB
Category=GBC
Category=WFA
Colin Wiggins
curator
eq_art-fashion-photography
eq_bestseller
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
exhibition
Jacob Simon
literature
National Gallery
oeuvre
photography
Sebastian Smee
Product details
- ISBN 9781916347472
- Dimensions: 352 x 356mm
- Publication Date: 11 Feb 2025
- Publisher: Modern Art Press
- Publication City/Country: GB
- Product Form: Hardback
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The second part of the Lucian Freud catalogue raisonné, recording all of the artist’s oil paintings in four volumes, with detailed entries, new photography, and essays
This publication is the first attempt to comprehensively catalogue the oil paintings of the artist Lucian Freud (1922–2011). Over 500 works are presented and fully catalogued by Catherine Lampert and Toby Treves, with separate entries on each work providing essential information, provenance, and history of exhibition and literature, followed by individual remarks. Lampert and Treves provide new analysis of the paintings, informed by their collaborative research and collective knowledge of Freud’s oeuvre. Almost every work is reproduced in colour, including many for the first time.
The catalogue contains several essays by contributors, including the critic and Freud specialist Sebastian Smee, National Portrait Gallery research fellow Jacob Simon, and curator and art historian Colin Wiggins. A chronology of Freud’s life and work, comprehensive lists of solo and group exhibitions, and a bibliography provide a full overview of Freud’s career and critical responses to it, making the volumes indispensable for research.
This publication is the first attempt to comprehensively catalogue the oil paintings of the artist Lucian Freud (1922–2011). Over 500 works are presented and fully catalogued by Catherine Lampert and Toby Treves, with separate entries on each work providing essential information, provenance, and history of exhibition and literature, followed by individual remarks. Lampert and Treves provide new analysis of the paintings, informed by their collaborative research and collective knowledge of Freud’s oeuvre. Almost every work is reproduced in colour, including many for the first time.
The catalogue contains several essays by contributors, including the critic and Freud specialist Sebastian Smee, National Portrait Gallery research fellow Jacob Simon, and curator and art historian Colin Wiggins. A chronology of Freud’s life and work, comprehensive lists of solo and group exhibitions, and a bibliography provide a full overview of Freud’s career and critical responses to it, making the volumes indispensable for research.
Catherine Lampert, an independent curator and art historian, was director of the Whitechapel Gallery between 1988 and 2001. Toby Treves is an independent art historian and a former collections curator of twentieth-century British art at Tate.
