Lucidity

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alison
Alison Finch
Ann Jefferson
Barthes's Work
Barthes’s Work
Berthe Morisot
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Category=CB
Category=CJ
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Ce Ne
Claire White
Clive Scott
Colin Davis
De Baudelaire
Diana Holmes
Du Mal
Edward J. Hughes
Emma Wilson
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Faux Pas
film theory studies
finch
French literary criticism
Holy Roman Emperor Rudolf II
James Ian
La Grande
La Spirale
Le Balcon
Le Cygne
Le Diable
Le Fanal Bleu
Les Fleurs Du Mal
Les Paradis Artificiels
lucidity in French critical thought
Madonna Del Parto
Michael Moriarty
Michael Sheringham
modern French poetry
Morisot's Work
Morisot’s Work
Neil Kenny
Nicholas White
nineteenth-century literature
Ordinary Language Sense
philosophical aesthetics
poetic form analysis
Positive Cognitive Effects
Roland Barthes Par Roland Barthes
Sarraute's Work
Sarraute’s Work
Susan Harrow
Thomas Baldwin
Tim Unwin
Une Page
Wilson Emma
Young Man
Zola's Writing
Zola’s Writing

Product details

  • ISBN 9780367598402
  • Weight: 380g
  • Dimensions: 170 x 247mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.

Ian James is Reader in Modern French Literature and Thought at Downing College, Cambridge, and Emma Wilson Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge.