Ludwig Tieck’s "Puss-in-Boots" and Theater of the Absurd
Regular price
€40.99
14 days return policy
Shipping & Delivery
A01=Gerald Gillespie
Absurd
Author_Gerald Gillespie
Category=ATD
Category=DSBF
Category=DSG
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Product details
- ISBN 9782875740267
- Weight: 220g
- Dimensions: 150 x 220mm
- Publication Date: 29 Apr 2013
- Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
- Publication City/Country: CH
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Johann Ludwig Tieck (1773-1853) was one of the most formative influences of the romantic movement, inspiring such major figures as Novalis and Hoffmann. Not only did his tales and novels shape the course of German romantic fiction; as a translator he helped to naturalize Shakespeare and Cervantes; as an editor he was among the first to recognize Kleist.
Tieck’s precocious invention of ironic-fantastic comedy quickly found resonance among fellow romantics, who worked under the parallel influence of the Goethean revolution in drama exhibited in Faust. Yet Tieck’s play Puss-in-Boots (1797) had to wait a full century before its impulses were transmitted, by Pirandello, to modern anti-theater and theater of the absurd.
The Tieckian direction anticipates the metaphysical strains both of symbolist and of existentialist theater and the beneficent absurdism of Wilder and Ionesco. As the boundary between stage and audience completely dissolves in Puss-in-Boots, we experience the transcendent delight of pure theater and unsettling doubts about our own roles on the world’s stage.
Tieck’s precocious invention of ironic-fantastic comedy quickly found resonance among fellow romantics, who worked under the parallel influence of the Goethean revolution in drama exhibited in Faust. Yet Tieck’s play Puss-in-Boots (1797) had to wait a full century before its impulses were transmitted, by Pirandello, to modern anti-theater and theater of the absurd.
The Tieckian direction anticipates the metaphysical strains both of symbolist and of existentialist theater and the beneficent absurdism of Wilder and Ionesco. As the boundary between stage and audience completely dissolves in Puss-in-Boots, we experience the transcendent delight of pure theater and unsettling doubts about our own roles on the world’s stage.
Gerald Gillespie is Professor Emeritus at Stanford University and a former President of the International Comparative Literature Association. He has held teaching and research appointments at various American, Asian, and European universities. He has published or edited some two dozen books on European and world literature and on the development of international comparative studies. An augmented second edition of his Proust, Mann, Joyce in the Modernist Context appeared in 2010.
