Product details
- ISBN 9781848224469
- Dimensions: 190 x 250mm
- Publication Date: 01 Sep 2021
- Publisher: Lund Humphries Publishers Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652–1706), a prolific and celebrated sculptor of the Spanish Golden Age.
The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father’s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V.
This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre.
Every year, newly discovered sculptures in wood and in terracotta enter into Roldán’s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.
Catherine Hall-van den Elsen studied Spanish art at La Trobe University in Melbourne, Australia. She completed her M.A (1986) and Ph.D (1992) on the life and work of Luisa Roldán. In 2018, Hall published a monograph of Luisa Roldán in Spanish (Consejo Superior de Investigaciones Científicas) and in 2020 an annotated bibliography in the Oxford Bibliographies in Art History series (Oxford University Press). She has contributed book chapters to Roldana (Junta de Andalucía, 2007), Women Artists in the Courts of Europe (Amsterdam University Press, anticipated 2021), and Polychromy in the Early Modern World: 1200-1800 (Routledge, anticipated 2022).
