A01=Lyn Hejinian
Author_Lyn Hejinian
avant-garde poetry
Category=DCC
Category=DCF
Category=DNT
Category=DSBH
Category=DSC
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form
Linguistic experimentation
Lyn Hejinian
poetics
Positions of the Sun
Tribunal
Product details
- ISBN 9781399557764
- Dimensions: 138 x 216mm
- Publication Date: 28 Feb 2026
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
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Lyn Hejinian is considered one of the most important avant-garde poets of the twentieth and twenty-first centuries. Beginning with five poems written from 1963 to 1965, The Proposition collects Hejinian's previously uncollected works from 1963-1983 in one unique volume. The individual early works curated in this volume broaden the existing published collections of Hejinian's works, showing Hejinian's play with form, visual language, and linguistic experiment before the poet's move to project orientated writing practices. With a new Preface by Lyn Hejinian, and five essays by prominent critics in the field, the volume offers both a new collection of Hejinian's poetry and an important scholarly resource for students, scholars, and readers of contemporary avant-garde writing more widely.
Lyn Hejinian is a poet, essayist, translator, and publisher and is a founding figure of the Language poetry movement of the 1970s and an influential force in the world of experimental and avant-garde poetics. She is the author of many poetry collections, including My Life and My Life in the Nineties (Wesleyan University Press, 2013), The Book of a Thousand Eyes (Omnidawn, 2012), The Fatalist (Omnidawn, 2003), and her landmark work My Life (Burning Deck, 1980). A native Californian, she teaches in the English Department at the University of California, Berkeley. Georgina Colby is Reader in Modern and Contemporary Literature at the University of Westminster. She has published widely in the field of avant-garde writing and feminisms. Her books include Kathy Acker: Writing the Impossible (2016), and the collections Reading Experimental Writing (2019) and, as co-editor, The Contemporary Small Press: Making Publishing Visible (2020). She is the series editor (with Eric White) of Edinburgh Critical Studies in Avant-Garde Writing and Edinburgh Foundations in Avant-Garde Writing.
