Lynd Ward’s Wordless Novels, 1929-1937

Regular price €210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Grant F. Scott
African Drummer
Author_Grant F. Scott
Broken House
Category=DSA
Category=DSBH
Category=DSK
Chew
Comic books
Comic studies
Corporate Ceo
Dead Man
Dense
Eagle
Elderly Gentleman
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Farmer's Daughter
Farmer’s Daughter
Federal Arts Project
German Expressionism
Graphic novel
Hireling
Illustration
labor movement art
Life Insurance
Lynd Ward
Main Character
Opus VI
Pictorial Narratives
Picture Books
proletarian sexuality
Reverse Ekphrasis
Timeless
Triple Flame
Violate
visual narrative analysis in 1930s America
Visual novel
visual storytelling
Weimar cinema influence
Williams State
Wood Engraving
woodcut illustration
Wordless Novel
WPA
Young Man

Product details

  • ISBN 9781032211169
  • Weight: 489g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905–1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group – much like Beethoven’s piano sonatas or Keats’s great odes – in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward’s novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.

Grant F. Scott is a Professor of English at Muhlenberg College in Allentown, Pennsylvania, and author of The Sculpted Word: Keats, Ekphrasis, and the Visual Arts (1994). He has also edited Selected Letters of John Keats (2002), Joseph Severn: Letters and Memoirs (2005) and The Illustrated Letters of Richard Doyle to His Father, 1842–1843 (2016), and co-edited, with Sue Brown, New Letters from Charles Brown to Joseph Severn (2010).

More from this author