Lyric Poetry As State Criticism in Modern Japan

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A01=Marianne Tarcov
Author_Marianne Tarcov
Category=DC
Category=DS
Category=DSC
Category=NHF
censorship
critical theory
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_poetry
Japanese fascism
Japanese literature
nationalism
open secret
political expression
sexuality

Product details

  • ISBN 9781501786785
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Mar 2026
  • Publisher: Cornell University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Lyric Poetry as State Criticism in Modern Japan explores how seemingly apolitical verse became a subtle vehicle for political expression under censorship. In an era of intense state control, Japanese poets such as Kitahara Hakushū, Hagiwara Sakutarō, Yonezawa Nobuko, and Ōte Takuji turned to lyric poetry to discuss police censorship and surveillance of modern media, state-sponsored efforts at Western-style modernization, and the policing of gender and sexuality. Marianne Tarcov shows how lyric form, widely perceived as personal and harmless, enabled poets to veil their critique in plain sight.

Through close readings and original translations, Tarcov reframes the role of poetry in twentieth-century Japan. She demonstrates that lyric was not merely an aesthetic retreat; it was a space where public and private, art and politics, could intersect and sometimes clash. Lyric Poetry as State Criticism in Modern Japan reshapes how we understand voice, complicity and critique in repressive regimes. It will speak to anyone interested in literature, media, and the power of quiet dissent.

Marianne Tarcov is Assistant Professor in the Department of East Asian Studies at McGill University.

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