Machine and Metaphor

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A01=Jennifer C. Cook
American literary criticism
American Literary Realism
Author_Jennifer C. Cook
Category=QD
Common Language
communication theory
conjure
Conjure Tales
Conjure Woman
crane
Crane Stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
ethan
Ethan Frome
Ethan's Temptation
Ethan’s Temptation
ethical discourse studies
ethics language technology intersection
frome
Goophered Grapevine
Grape Vines
Grapevine
hippolyte
house
Howellsian Realism
Indefinite Multiplication
John's Language
John’s Language
Kate Swift
Mechanical Compartments
mirth
nineteenth century literature
racial stereotypes analysis
Rural Free Delivery
stephen
Story Teller's Story
Story Teller’s Story
taine
technological anxiety
Uncle Remus Tales
Wharton's Work
Wharton’s Work
Wing Biddlebaum
woman
Young Man

Product details

  • ISBN 9780415978354
  • Weight: 364g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Oct 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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American literary realism burgeoned during a period of tremendous technological innovation. Because the realists evinced not only a fascination with this new technology but also an ethos that seems to align itself with science, many have paired the two fields rather unproblematically. But this book demonstrates that many realist writers, from Mark Twain to Stephen Crane, Charles W. Chesnutt to Edith Wharton, felt a great deal of anxiety about the advent of new technologies – precisely at the crucial intersection of ethics and language. For these writers, the communication revolution was a troubling phenomenon, not only because of the ways in which the new machines had changed and increased the circulation of language but, more pointedly, because of the ways in which language itself had effectively become a machine: a vehicle perpetuating some of society’s most pernicious clichés and stereotypes – particularly stereotypes of race – in unthinking iteration. This work takes a close look at how the realists tried to forge an ethical position between the two poles of science and sentimentality, attempting to create an alternative mode of speech that, avoiding the trap of codifying iteration, could enable ethical action.

Bentley College, Waltham, USA

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