Machine Learning and Music Generation

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algorithmic composition
Ann Algorithm
audio data modelling
Category=AV
Category=UYQM
Chord Sequences
computational creativity
Darrell Conklin
data-driven algorithms
David Rizo
Dynamic Markings
Elaine Chew
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
evolutionary computation
Expressive Music Performance
Fitness Functions
GA
Harmonic Features
Jason Yust
Jazz Guitar
jazz ornamentation modelling
Jorge Calvo-Zaragoza
Journal of Mathematics and Music
Katerina Kosta
Loudness Time Series
Loudness Values
Machine Learning
Machine Learning Algorithms
Machine Learning Methods
Mazurka Op
Melodic Interval
music generation
music representation
Oscar F. Bandtlow
Pareto Front
Pearson Correlation
Pedro J. Ponce de Len
Phillip B. Kirlin
Pitch Classes
Probabilistic Context Free Grammar
Rafael Ramirez-Melendez
Random Forests
Scale Degree
Schenkerian Analysis
Schenkerian analysis methods
Score Notes
Semiotic Patterns
Sergio Giraldo
statistical modelling for music composition
SVMs
symbolic music analysis
Thomas M. Fiore

Product details

  • ISBN 9780367892852
  • Weight: 230g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Computational approaches to music composition and style imitation have engaged musicians, music scholars, and computer scientists since the early days of computing. Music generation research has generally employed one of two strategies: knowledge-based methods that model style through explicitly formalized rules, and data mining methods that apply machine learning to induce statistical models of musical style. The five chapters in this book illustrate the range of tasks and design choices in current music generation research applying machine learning techniques and highlighting recurring research issues such as training data, music representation, candidate generation, and evaluation. The contributions focus on different aspects of modeling and generating music, including melody, chord sequences, ornamentation, and dynamics. Models are induced from audio data or symbolic data. This book was originally published as a special issue of the Journal of Mathematics and Music.

José M. Iñesta is a Professor in the Department of Software and Computing Systems at the Universidad de Alicante, Spain.

Darrell Conklin is a Professor in the Department of Computer Science and Artificial Intelligence at the University of the Basque Country.

Rafael Ramírez-Melendez is Associate Professor in the Music Technology Group in the Department of Information and Communication Technologies at the Universidad Pompeu Fabra, Barcelona, Spain.

Thomas M. Fiore is Associate Professor of Mathematics at the University of Michigan-Dearborn, MI, USA.