Machine that Sings

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A01=Gordon A. Tapper
American poetry analysis
Animal Kingdom
Author_Gordon A. Tapper
Belle Isle
Black Elk Speaks
Bright Stones
cape
Cape Hatteras
Category=DC
Category=DS
Category=DSBH
corporeal aesthetics
crane
Crane's Figure
Crane's Poem
Crane's Poetry
Crane's Representation
Crane's Work
cranes
Dos Passos
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Erotic Anguish
ethnographic criticism
Fairy Tale
Great Divide
hart
Hart Crane
hatteras
HCF.
John Dos Passos
literary modernism
modernist representations of sexuality
Padded Foot
Panis Angelicus
poem
poetry
Powhatan's Daughter
queer theory
Remy De Gourmont
representation
River Rouge Plant
sublime
technological
technological sublime
Voyage II
Wild Man

Product details

  • ISBN 9780415965910
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Sep 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Examining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine ThatSings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'

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