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Made in Australia and Aotearoa/New Zealand

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African American Gospel Music
Andrew Legg
Andy Bennett
Aotearoa
April K. Henderson
Australasia
Australian music
Australian Music Industry
Australian pop
Carolyn Philpott
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Catherine Strong
Cathy Adamek
Chiara Minestrelli
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City's Music Scene
city-based popular music scholarship
City’s Music Scene
cultural identity in music
Dunedin Sound
Emma Williams
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Flying Nun
Geoff Stahl
Hip Hop
Ian Rogers
Indigenous Hip Hop
Indigenous Rappers
Jon Stratton
Julie Rickwood
Kiwi
Kyle Barnett
Latin American Music
Live Music Venue
Liz Giuffre
Local Hip Hop Artists
Mara Favoretto
Melbourne City Council
Michael Holland
Mighty Mighty
music and the city
music in Australia
music in New Zealand
music scene analysis
music sociology
musicology
NAIDOC
NAIDOC Week
New Zealand music
Oceania
Oli Wilson
Paul Blacklow
Perth Experience
Pop Star
popular music
Popular Music Heritage
Post-colonial Nationalism
postcolonial music research
Robert Sloane
Shane Homan
Tony Mitchell
transnational music studies
urban music cultures
Vice Versa
Zealand Bands
Zealand Music
Zealand Popular Music
Zealand's Music Industry
Zealand’s Music Industry

Product details

  • ISBN 9781138195691
  • Weight: 458g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 May 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.
About

Shelley Brunt is Senior Lecturer in the Music Industry program at RMIT University, Australia.

Geoff Stahl is Senior Lecturer in Media Studies at Victoria University of Wellington, Aotearoa/New Zealand.