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Adelheid Von Saldern
American Advertising Agencies
British Travel Companies
Category=JBCC1
Category=NHD
Category=NHTB
Chambre Syndicale
Christian Dior
Cocktail Dresses
Couture Houses
creative autonomy Europe
Creative Industries
Cultural Americanisation
cultural Americanisation studies
cultural industries research
Cultural Transfer
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European Advertising
European cultural intermediaries
European Public Service Broadcasters
European Theme Parks
Haute Couture Houses
Klaus Nathaus
Latte Macchiato
Lucky Strike
media production history
National Socialist Cinema
Paris Couture
Paris Couturiers
Paris Haute Couture
Pop Stars
Popular Culture
Production of Culture
Public Service Broadcasters
Speciality Coffee Shop
Specific Industry Structures
State Secretary
Tin Pan Alley
transatlantic cultural exchange
Twentieth Century Europe
West Germany
Western European popular culture production
World's Fashion Capital
World’s Fashion Capital

Product details

  • ISBN 9781138794443
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 08 Aug 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This edited collection studies the production and dissemination of popular music, tourism, cinema, fashion, broadcasting programmes, advertising and coffee in Western Europe in the twentieth century. Focussing on the supply side of popular culture, it addresses a field of study that is neglected in European historiography. Moreover, it provides a theoretical and methodological discussion that takes into account the inherent dynamics of content production and the role of cultural intermediaries in the change of cultural repertoires.

Taking key developments in the culture industries in the USA as a point of reference, the book highlights particularities of cultural production in Europe. It identifies a greater autonomy of creatives, stronger influence of critics and a lesser concern with audience research as three characteristics of the production regime in Western Europe. It takes into view the transfer of popular culture across the Atlantic and between European countries and offers new insights into research on the cultural Americanisation of Europe.

This book was originally published as a special issue of the European Review of History.

Klaus Nathaus is Associate Professor in Western History since 1918 at the University of Oslo, Norway. He is a social historian of 19th and 20th century Britain and Germany who has worked on the history of clubs and associations, sports history and the production of popular culture in general and popular music in particular.