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Made in Poland

€51.99
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alternative subcultures
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B01=Patryk Galuszka
Big Beat
Category1=Non-Fiction
Category=AVGP
Category=AVL
Category=AVLP
Category=JBCC1
Category=JBCT
Category=JFCA
Category=JFD
Chopin
Commercial Tv Station
COP=United States
cultural studies
Dance House
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Die Antwoord
Disco Polo
Eastern European Music
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eq_music
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European music
Folk Music
Fryderyk Chopin
global music
Hip Hop's Emergence
Hip Hop’s Emergence
identity formation
Language_English
music in Poland
music scenes analysis
musicology
PA=Available
Polish Diaspora
Polish Folk Music
Polish Jazz
Polish Music
Polish music history research
Polish Post-2004 Migrants
Polish Rock
Polish Song
Polskie Wydawnictwo Muzyczne
popular music
post-World War Ii
Price_€20 to €50
PRL
PS=Active
recording industry transformation
Socialist Poland
sociopolitical context
softlaunch
Specific Listening Situation
Tv Station
Warsaw Rising Museum
world music
Young Men

Product details

  • ISBN 9780815360131
  • Weight: 472g
  • Dimensions: 174 x 246mm
  • Publication Date: 02 Dec 2019
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Description

Made in Poland: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Polish popular music. Each essay, written by a leading scholar of Polish music, covers the major figures, styles, and social contexts of pop music in Poland and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Poland, followed by essays organized into thematic sections: Popular Music in the People’s Republic of Poland; Documenting Change and Continuity in Music Scenes and Institutions; and Music, Identity, and Critique.
About

Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz. He has published on subjects such as music industries, crowdfunding, and music fandom in the digital age.