Mademoiselle Giraud, Ma Femme

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Adolphe Belot
Category=DSB
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gender roles
homophobia
homosexuality
homosocial
lesbian identity
lesbianism
lesbophobia
LGBTQ identity
mixed-orientation marriage
Paris
patriarchy
queer sexuality
roman populaire
sapphic
sexism
social roles
uxoricide

Product details

  • ISBN 9780873527989
  • Weight: 300g
  • Dimensions: 142 x 218mm
  • Publication Date: 30 Jan 2002
  • Publisher: Modern Language Association of America
  • Publication City/Country: US
  • Product Form: Paperback
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Adolphe Belot was the envy of his contemporaries Émile Zola and Gustave Flaubert: his books, unlike theirs, were best-sellers. He specialized in popular fiction that provided readers with just the right mix of salaciousness and propriety. (Under the initials A. B. he dispensed entirely with propriety.)

The sensational Mademoiselle Giraud, ma femme (published in 1870 with a preface by Zola) tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers. In the pitched battle between husband and wife, the sexes are evenly matched—until the end.

Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men. This example of commercial fiction, Rivers argues, reveals tensions in nineteenth-century French society not apparent in canonical works of high culture.