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A01=Dave Tetzlaff
A01=Deidre Pribram
A01=Ramona Liera Schwichtenberg
A01=Ron Scott
America's Funniest Home Videos
Author_Dave Tetzlaff
Author_Deidre Pribram
Author_Ramona Liera Schwichtenberg
Author_Ron Scott
Black Male Character
Black Religion
Blond Ambition Tour
Category=JHB
College Professors
Contemporary Society
cultural appropriation
cultural heroine
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist media studies
identity politics
Madonna Connection
Madonna Fans
Madonna Phenomenon
Madonna's Body
Madonna's Character
Madonna's Music Videos
Madonna's Texts
Madonna's Videos
Madonna's Work
mass media critique
Material Girl
MTV Music Video Award
NBC's Telecast
Polymorphic Distribution
Pop Star
popular culture
Postmodern Mainstream
Queer Liberation
queer theory
race and gender analysis
subcultural groups
subcultural representation in pop culture
Teenage Consumer Culture
Vincent Van Gogh
Young Man

Product details

  • ISBN 9780367293659
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Various cultural theories (foremost among them, postmodernism) have figured in the debate over the politics of representation. These theories have tended to look at representation in the context of either audience enablement or commercial constraint; that is, do the images empower the public or inhibit it? One key area consistently overlooked has the been the study of subcultural or subordinate groups who appropriate what is traditionally considered "mainstream." The Madonna Connection is the first book to address the complexities of race, gender, and sexuality in popular culture by using the influence of a cultural heroine to advance cultural theory. Madonna's use of various media—music, concert tour, film, and video—serves as a paradigm by which the authors study how images and symbols associated with subcultural groups (multiracial, gay and lesbian, feminist) are smuggled into the mainstream. Using a range of critical and interpretive approaches to this evolving and lively cultural phenomenon, the authors demonstrate the importance of personalities like Madonna to issues of enablement and constraint. Are "others" given voice by political interventions in mass popular culture? Or is their voice co-opted to provide mere titillation and maximum profit? What might the interplay of these views suggest? These are some of the questions the authors attempt to answer. Some celebrate Madonna's affirmation of cultural diversity. Others criticize her flagrant self-marketing strategies. And still others regard her as only a provisional challenge to the mainstream.

Cathy Schwichtenberg

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