Maghreb Noir

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1960s
A01=Paraska Tolan-Szkilnik
African Diaspora
Age Group_Uncategorized
Age Group_Uncategorized
Algeria
Author_Paraska Tolan-Szkilnik
automatic-update
Category1=Non-Fiction
Category=HBG
Category=HBJH
Category=HBLW
Category=JBSL
Category=JFSL
Category=JFSL1
Category=NHB
Category=NHH
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
Maghreb Generation
Militant-artists
Morocco
PA=Available
Pan-Africanism
Post-colonial culture
Price_€20 to €50
PS=Active
softlaunch
Souffles
Tunisia

Product details

  • ISBN 9781503635913
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Jul 2023
  • Publisher: Stanford University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.

Maghreb Noir dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.

Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.

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