Magical Epistemologies

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A Masque at Ludlow Castle
A01=Anannya Dasgupta
Aakar Books
Ariel's Songs
Ariel’s Songs
Attendant Spirit
Author_Anannya Dasgupta
Category=DSB
Category=DSG
Category=QRYX2
Court Masque
Credible Magic
Doctor Faustus
Early Modern
Early Modern English
Early modern English drama
Early Modern Magic
early modern science
English Renaissance drama
epistemology in Renaissance literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fantasy fiction
Faust Legend
Forward Wits
Ludlow Castle
Magical epistemologies
Magical realism
Main Masque
Marlowe's Faustus
Marlowe’s Faustus
Masque Form
Milton's Masque
Milton’s Masque
Neoplatonic Magic
occult knowledge systems
Opening Tempest
Popular Magic
Prisca Theologia
Prospero's Magic
Prospero’s Magic
religious syncretism
Renaissance intellectual history
Renaissance Magic
Rogue Literature
The Alchemist
The Tempest
theatrical representation of magic
Vagrancy Statutes
Venture Tripartite

Product details

  • ISBN 9781032048017
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 22 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation.

This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Anannya Dasgupta is an Associate Professor in the Division of Literature, and the Director of the Centre for Writing and Pedagogy at Krea University, Andhra Pradesh.

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