Magical Realist Sociologies of Belonging and Becoming

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1960s Social Movements
A01=Rodanthi Tzanelli
affect theory
Artistic Freediving
Author_Rodanthi Tzanelli
Big Blue
Category=JBSL
Category=JHB
Category=KNSG
Category=NHTQ
Category=WG
contemporary Greek identity formation
Creative Commons Licensing
critical realism
cultural emergism
Danger Zone Tourists
Dark Tourism
Dark Traveller
Dual Consciousness
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethno National Belonging
feminist posthumanism
Fragmented Word
Freediving Team
Good Life
IMF Bailout
Invisible Field
Isla Mujeres
magical realism
Magical Realist Art
mobility
mobility studies
modernity
National Lifeworlds
Phenomenal Plane
phenomenological analysis
phenomenology
postcolonial sociology
pragmatism
Rodanthi Tzanelli
Roundhay Park
Ship Holes
Slow Tourism
Stylistic Schism
tourism
travel
Underwater Museum
Viking Ship Museum

Product details

  • ISBN 9781032173672
  • Weight: 510g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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At the bottom of the sea, freedivers find that the world bestows humans with the magic of bodily and mental freedom, binding them in small communities of play, affect and respect for nature. On land, rational human interests dissolve this magic into prescriptive formulas of belonging to a profession, a nation and an acceptable modernity. The magical exploration is morphed by such multiple interventions successively from a pilgrimage, to a cinematic and digital articulation of an anarchic project, to an exercise in national citizenship and finally, a projection of post-imperial cosmopolitan belonging.

This is the story of an embodied, relational and affective journey: the making of the explorer of worlds. At its heart stands a clash between individual and collective desires to belong, aspirations to create and the pragmatics of becoming recognised by others. The primary empirical context in which this is played is the contemporary margins of European modernity: the post-troika Greece. With the project of a freediving artist, who stages an Underwater Gallery outside the iconic island of Amorgos, as a sociological spyglass, it examines the networks of mobility that both individuals and nations have to enter to achieve international recognition, often at the expense of personal freedom and alternative pathways to modernity.

Inspired by fusions of cultural pragmatics, phenomenology, phanerology, the morphogenetic approach, feminist posthumanism and especially postcolonial theories of magical realism, this study examines interconnected variations of identity and subjectivity in contexts of contemporary mobility (digital and embodied travel/tourism). As a study of cultural emergism, the book will be of interest to students and scholars in critical theory, cultural, postcolonial and decolonial studies, and tourism/pilgrimage theory.

Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK. She is author of numerous research papers and chapters, as well as 11 monographs.

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