Magnolia Leaves

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19th century
A01=Mary Weston Fordham
A32=Mint Editions
African-American families
African-American poems
African-American poet
African-American poetry
Age Group_Uncategorized
Age Group_Uncategorized
Author_Mary Weston Fordham
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black poet
black poetry
Category1=Non-Fiction
Category=DCF
COP=United States
Delivery_Delivery within 10-20 working days
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
female poet
Language_English
PA=Available
poetry collection
post Civil War
Price_€10 to €20
PS=Active
softlaunch
woman poet

Product details

  • ISBN 9781513134659
  • Dimensions: 127 x 203mm
  • Publication Date: 31 Mar 2022
  • Publisher: West Margin Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham’s only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove “[t]he Negro’s right to be considered worthy of recognition in the field of poetic effort.” Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. “With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent.” In “The Washerwoman,” Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to “be found on the other shore.” While many, if not all, of Fordham’s poems revolve around Christian imagery and themes, some, including “Chicago Exposition Ode,” “Stars and Stripes,” and “Alaska,” reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in “Atlanta Exposition Ode,” which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. “Song to Erin” and “Highland Mary” depict the immigrant experience, while “The Cherokee” mourns the murder and displacement of America’s indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Weston Fordham’s Magnolia Leaves is a classic of African American literature reimagined for modern readers.

Mary Weston Fordham (1862-1905) was an African American poet and educator. Born in Charleston, South Carolina, she was the daughter of Rev. Samuel Weston and Louise Bonneau. As a young woman, she worked for the American Missionary Association as a teacher. Towards the end of her life, Fordham published Magnolia Leaves (1897), a collection of sixty-six poems on African American life during the Reconstruction Era and beyond. While little is known about her life, it is suggested in her poetry that she suffered the loss of six children at a young age.

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