Mainstream AIDS Theatre, the Media, and Gay Civil Rights

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20th Century Theatre
A01=Jacob Juntunen
Act III
Aid Virus
AIDS
American Theatre
Angels in America
Author_Jacob Juntunen
Broadway Premiere
Category=AT
Category=ATD
Category=DD
Category=JBCT
Category=JBFN
Category=JBSF
Category=JBSJ
cultural history of epidemics
Emergent Ideology
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Gay Civil Rights
Gay Civil Rights Movement
Gay Panic Defense
Gay Theatre
Gender Studies
HIV
Homeless LGBT Youth
ideological change in American theater
Jonathan Larson
Laramie Project
Larry Kramer
LGBT
LGBT Bully
LGBT Character
LGBT Citizen
LGBT Civil Right
LGBT Community
LGBT theatre
LGBTQ theater history
LGBTQ Youth
Mainstream Aid
Mainstream HIV
materialist semiotics
media reception studies
Media Theory
Moises Kaufman
Nationalism
Normal Heart
Performance
performance politics
Political Peformance
Politics of Performance
Queer Studies
Queer Theory
queer theory scholarship
Radical Palatable
Rent
Research
Sexuality
Shepard's Death
Shepard's Murder
Shepard’s Death
Shepard’s Murder
Social Justice
Tectonic Theater Project
The Laramie Project
The Normal Heart
Theater
Theatre
Theatre and Social Change
Tony Kushner
Twentieth Century Theatre
US Theatre
York Theatre Workshop
Young Man

Product details

  • ISBN 9781138941724
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.

Jacob Juntunen is Associate Professor in the Department of Theater and in the Women’s, Gender, and Sexuality Studies Program at Southern Illinois University, USA.

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