Art in the After-Culture

Regular price €19.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Ben Davis
Age Group_Uncategorized
Age Group_Uncategorized
art criticism
art theory
artnet
Author_Ben Davis
automatic-update
Category1=Non-Fiction
Category=AB
contemporary art
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€10 to €20
PS=Active
softlaunch

Product details

  • ISBN 9781642594621
  • Dimensions: 139 x 215mm
  • Publication Date: 15 Mar 2022
  • Publisher: Haymarket Books
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
"This kaleidoscopic collection will help you see and comprehend the world anew-which is, in my book, what good art should do." -Astra Taylor It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism's dysfunction. In these incisive essays, art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"-a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.
Ben Davis has been artnet News's National Art Critic since 2016. He is the author of 9.5 Theses on Art and Class, and was an editor of The Elements of Architecture, which began as the catalogue to the 2014 Venice Architecture Biennial. Recent essays have appeared in the books Public Servants: Art and the Crisis of the Common Good and The Future of Public Space. His writings have been featured in The New York Times, New York Magazine, Slate, Adbusters, The Brooklyn Rail, e-Flux Journal, Frieze, The Village Voice, and many other venues. In 2019, Harvard 's Nieman Journalism Lab reported that he was one of the five most influential art critics in the United States, and the only one to write for an online publication.

More from this author