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A01=Caitlin Condell
A01=Cara McCarty
A01=Cynthia Trope
A01=Elizabeth Broman
A01=Gail S. Davidson
A01=Gregory Herringshaw
A01=Jennifer Colman Bracci
A01=Kimberly Randall
A01=Lucy Commoner
A01=Matilda McQuaid
A01=Sarah D. Coffin
A01=Stephen Van Dyk
A01=Susan Brown
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Age Group_Uncategorized
Author_Caitlin Condell
Author_Cara McCarty
Author_Cynthia Trope
Author_Elizabeth Broman
Author_Gail S. Davidson
Author_Gregory Herringshaw
Author_Jennifer Colman Bracci
Author_Kimberly Randall
Author_Lucy Commoner
Author_Matilda McQuaid
Author_Sarah D. Coffin
Author_Stephen Van Dyk
Author_Susan Brown
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Category1=Non-Fiction
Category=AKC
COP=United Kingdom
Delivery_Pre-order
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Language_English
PA=Reprinting
Price_€20 to €50
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Product details

  • ISBN 9780910503747
  • Weight: 2350g
  • Publication Date: 23 Feb 2015
  • Publisher: Cooper-Hewitt Museum
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Cooper Hewitt possesses one of the most diverse and comprehensive collections of design works in existence and is the only museum in the United States devoted exclusively to historic and contemporary design. Reopening in late 2014, the museum has undergone a transformative renovation. Its landmark home in the Andrew Carnegie Mansion offers an entirely new and interactive visitor experience resulting in 60 percent more gallery space. To mark the occasion, Cooper Hewitt is publishing an expansive book on its unparalleled collection, which consists of more than 210,000 objects from all over the world, spanning 30 centuries. Designed by Irma Boom, and a wonderful design object in itself at over 900 pages, the book expresses the museum's primary goal--to inspire people to see how design impacts their lives. Available in three different colors and printing with glow in the dark ink, the book embodies design process. This user-centered approach is reinforced throughout the pages with 54 narratives and an extensive process glossary that discusses individual objects through a design lens. Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and renowned designer Irma Boom, Making Design is organized entirely by Boom's visual sequencing of images; her design and the curators' essays weave parallel narratives throughout the book. This wildly playful and unexpected jaunt through the collection ends with Boom's exploration of her process, "Making Making Design," which embraces the essence design and the new experiences in Cooper Hewitt's galleries.