Making Music Indigenous

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A01=Joshua Tucker
Andes
audio
Author_Joshua Tucker
cangallo
Category=AVA
Category=AVLT
Category=JBSL
chimaycha
contemporary
country
cultural
culture
customs
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
genre
geography
instrumental
instruments
lima
modern
mountain range
mountains
musical
musician
native
nightclub
pastoral
performance
performer
Peru
political
popular
province
singer
songs
sound
south america
tribal
tribe
tribes

Product details

  • ISBN 9780226607337
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Feb 2019
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
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When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
Joshua Tucker is assistant professor of music at Brown University.

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