Making of a Man

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A01=Ruth Averbach
Aleksandr Aleksandrov
Author_Ruth Averbach
Category=DS
Category=JBSF
Category=NHD
Cavalry Maiden
Elena
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fate's Plaything
female-to-male
feminism
feminist writing
forthcoming
gender in Russia
gender studies
gender studies in Russia
Hussar Ballad
imperial Russia
masculinity
Nadezhda Andreevna Durova
Notes of Aleksandrov
Nurmeka
or: A Criminal Romance
Russia
Russian Empire
Russian military
T-- Beauty
The Sulfur Spring: A cheremis Tale
transsexual studies
transsexuality
transsexuality in Russia
transsexuality in Russian history
Tsar Aleksandr I
tsarist Russia
women's studies

Product details

  • ISBN 9780299357603
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Jul 2026
  • Publisher: University of Wisconsin Press
  • Publication City/Country: US
  • Product Form: Hardback
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Aleksandr Aleksandrov was an author and soldier in service of the Russian tsar, active in the Prussian theater of the War of the Fourth Coalition (1806–7) and in the Napoleonic Wars. In scholarship, he is better known by his birth name, Nadezhda Andreevna Durova, and often referred to with the female pronouns bestowed upon him at birth. In this first book-length study of Aleksandrov, Ruth Averbach argues that we should understand this celebrated figure of Imperial Russia, whose sex was legally changed by Tsar Aleksandr I, simply as a man, one whose masculinity was intimately connected to the imperialist cause and Russian nationalism.

For the majority of his life, Aleksandrov lived, wrote, and fought as a man and was recognized as such by most of his contemporaries. This contradicts the dominant position in especially Western feminist scholarship, which understands "Durova" either as a woman so patriotic that she dressed as a man to fight Russia's wars or as a woman so frustrated by gender restrictions that she dramatically sought to cast them aside. Averbach instead asserts that we should take Aleksandrov at his word and accept his transition as genuine. Doing so allows for fresh interpretations of both his autobiographical writings and his works of fiction, interpretations that Averbach deftly shows have salience not just for a single man's life but also for how we understand masculinity, imperialism, and nationalism in nineteenth-century Russia more broadly.

Ruth Averbach is associate faculty at the Brooklyn Institute for Social Research.

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