Making Synthwave

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A01=Jess Blaise Ward
Author_Jess Blaise Ward
Category=AVA
Category=AVX
Category=UYU
Community Music
digital music cultures
electronic musicology
eq_art-fashion-photography
eq_bestseller
eq_computing
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eq_music
eq_nobargain
eq_non-fiction
genre formation theory
music technology research
Online Communities
online music community ethnography
Online Music Making
subcultural studies
Synthesizers
Synthwave
virtual ethnography

Product details

  • ISBN 9781032732039
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Nov 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Making Synthwave: How an Online Music Community Invented a Genre documents the journey of an online community in their formation of the synthwave genre.

Taking an emic perspective that delivers a behind-the-scenes, access-all-areas telling of synthwave’s story from the very beginning to the mid 2020s, this ethnographic account offers a full history and development of the online synthwave community. Through an insightful longitudinal virtual ethnography by a composer, producer and performer, the book observes how artists, audiences, musicians, producers and performers have come together to negotiate the musical and cultural boundaries of 1980s ‘throwback’ style synthwave. The book makes visible tacit knowledge of the synthwave creative process, as well as providing rich and experiential subcultural detail that situates synthwave as an active community of practice which formulated its roots as a music genre exclusively online in the mid to late 2000s.

This book is essential reading for music makers in a variety of genres and scholars of popular music, cultural theory and music production, as well as those interested in the nuances of music-making on the internet, creative processes with synthesizers and the mechanics of genre theory and community music in the digital age.

Jess Blaise Ward (Leeds Beckett University, UK) is a synth artist and researcher of genre formation, online music communities, subcultural theory and feminist scholarship. Past publications include Who remembers post-punk women? (2019) and her paper on metalheads in the online synthwave community at the Internet Musicking conference (2022).

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