Male-to-Female Crossdressing in Early Modern English Literature

Regular price €192.20
A01=Simone Chess
Assigned Birth Genders
Author_Simone Chess
Ben Jonson
Category=DSB
Category=JBSF
Cavendish
Cisgender Woman
Cross-dressing
Crossdressing
Crossdressing Plots
Early Modern
early modern drama
Early Modern Gender
Early Modern Texts
English Renaissance literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Faerie Queene
Female Husband
Feminist Studies
Femme Gender Expression
gender identity studies
Gender Labor
Gender Studies
Gender Swap
Genderqueer
Haec Vir
Haec Vir Pamphlets
Heterosexual Cisgender Men
Hic Mulier
John Lyly's Gallathea
John Lyly’s Gallathea
Lady Happy
Literature
Marriage Economy
Mary Wroth
Moll Cutpurse
Pamphlets Hic Mulier
Performance Studies
Queer
Queer Feminine
Queer Gender
queer gender representation in literature
Queer Heterosexuality
Queer Studies
queer theory
relational gender constructs
Renaissance
Research
sexuality and society
Sexuality Studies
Shakespeare
Sir Bounteous
Spenser
Trans* Studies
Transgender
Transgender Tipping Point
Transvestite Theater
Women's Studies
Women’s Studies
Young Man

Product details

  • ISBN 9781138951211
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume examines and theorizes the oft-ignored phenomenon of male-to-female (MTF) crossdressing in early modern drama, prose, and poetry, inviting MTF crossdressing episodes to take a fuller place alongside instances of female-to-male crossdressing and boy actors’ crossdressing, which have long held the spotlight in early modern gender studies. The author argues that MTF crossdressing episodes are especially rich sources for socially-oriented readings of queer gender—that crossdressers’ genders are constructed and represented in relation to romantic partners, communities, and broader social structures like marriage, economy, and sexuality. Further, she argues that these relational representations show that the crossdresser and his/her allies often benefit financially, socially, and erotically from his/her queer gender presentation, a corrective to the dominant idea that queer gender has always been associated with shame, containment, and correction. By attending to these relational and beneficial representations of MTF crossdressers in early modern literature, the volume helps to make a larger space for queer, genderqueer, male-bodied and queer-feminine representations in our conversations about early modern gender and sexuality.

Simone Chess is an Assistant Professor of English and an affiliate of the Gender, Sexuality and Women’s Studies Program at Wayne State University in Detroit. Her research interests are in Early Modern literary and cultural studies, queer studies, and gender and sexuality studies. She has published articles and book chapters on the topics of crossdressing, bathroom activism, ballads, and blindness.