Manchester: Looking for the Light through the Pouring Rain

Regular price €38.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1970s
A01=Kevin Cummins
Age Group_Uncategorized
Age Group_Uncategorized
Author_Kevin Cummins
automatic-update
buzzcocks
Category1=Non-Fiction
Category=AVGP
Category=AVLP
Category=JBCC1
Category=JFCA
COP=United Kingdom
Counterculture
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Factory
Happy Mondays
John Harris
Johnny Marr
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9780571283385
  • Weight: 1380g
  • Dimensions: 210 x 255mm
  • Publication Date: 03 May 2012
  • Publisher: Faber & Faber
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Manchester, its bands, its fashions, its attitude, has defined pop culture for the best part of four decades. Joy Division, The Fall, Buzzcocks, New Order, The Smiths, Happy Mondays, Stone Roses, Oasis. These were the bands that shaped two generations of teenagers and changed the course of pop music.

Manchester: Looking for the Light through the Pouring Rain is a portrait of these individuals, the city, and their times. Whether it be on a rain-soaked stage in Brazil, a rented room in Whalley Range, or on the dancefloor of the legendary Hacienda, Kevin Cummins' exquisite photographs capture the anarchic energy of the Manchester pop moment. This stunning visual record of the city and its pop history is complemented by four textual contributions from Paul Morley, Stuart Maconie, Gavin Martin and John Harris. What is it about that city that makes it the Memphis of the UK? Cummins' photographic record of the past 30 years captures the highs, the lows and the transcendent pop moments of Manchester's most famous sons.

Kevin Cummins was photographer on the NME for two decades. He now takes pictures for The Times, Guardian, and others.

More from this author