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Product details

  • ISBN 9781911214298
  • Weight: 107g
  • Dimensions: 129 x 198mm
  • Publication Date: 03 Aug 2017
  • Publisher: Vintage Publishing
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Shortlisted for the 2017 T. S. Eliot Prize
Longlisted for the 2019 Portico Prize
PBS Autumn Recommendation


Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it resides and how it survives. Mancunia is – like More’s Utopia – both a no-place and an attempt at the good-place. It is occupied, liberated, abandoned and rebuilt. Capacious, disturbing and shape-shifting, these are poems for our changing times.

Michael Symmons Roberts was born in Preston, Lancashire. He has published eight collections of poetry and received a number of accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. His Selected Poems was published in 2016. As a librettist, his work has been performed in concert halls and opera houses around the world, and he is an award-winning broadcaster and dramatist. He is professor of Poetry at Manchester Metropolitan University. A Fellow of the Royal Society of Literature, his Quartet for the End of Time: On Music, Grief and Birdsong was published in 2025.

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